64-Channel Neve 8068 console + Studer A820 2″ tape machine (2) + ATR Services-rebuilt ATR 102 1/2″ tape machine
Pro Tools 10 HD on Mac Pro, 32×24 Prism Titan AD/DA Converters. Our 8068 was lovingly rebuilt and restored by epic genius Garry Creiman over a 3-year period. 

Microphones

Condenser
– AKG C61 tube (2, CK26 omni and CK1 cardiod capsules)
– B&K 4011
– B&K 4007
– B&K 4009 (2, matched pair 130V)
– Beyer MC740 (2)
– Josephson C42 (2)
– Josephson C700A
– Josephson e22s (2)
– Microtech Gefell M930
– Microtech Gefell M71 (2)
– Microtech Gefell M582 tube
– Microtech Gefell UM92 tube (2)
– Neumann U47 Long Body (1960, VF14 tube)
– Neumann SM69 stereo tube (1967, AC701)
– Schoeps CMC6 w/ MK4 capsule (2, matched)
Dynamic
– Altec 685B
– Beyer M88
– Beyer M201 (2)
– Beyer TG-X50
– EV RE20
– EV 635a
– Sennheiser 421 (3)
– Shure Beta 98 (2)
– Shure SM7
– Shure Beta 58a
– Shure Beta 52
– Shure SM57 (2)
– Shure SM58 (2)
Ribbon
– Beyer M160 (2)
– Coles 4038 (4)
– RCA DX77

DI

Aguilar DB900
Avalon U5
Radial JDI

Pre/EQ

Allison passive eq
Ampex 351 (2) tube pre (rebuilt by Michael Gore)
API 550a (original issue) (2)
API 312 (Avedis op amp)
Bogen RP-2 tube pre (Skip Simmons)
GML 8200
Maselec MEA-2 Stereo Equalizer
Neve 31102 (54)
Stromberg-Carlson tube pre (Skip Simmons)

Dynamics

GML 8900
Kepex II (2)
Manley ELOP (w/ GE NOS tubes)
Neve 2264/33314a (2, Vintage King Rack)
Retro Sta-Level (w/ 5386 RCA tube)
Smart C1
SPL Transient Designer 4
Urei 1176 (original issue, rev E, Studio Electronics rebuild)
Urei 1176 (original issue, rev F, Studio Electronics rebuild)
Urei 1178 (Studio Electronics rebuild)
Urei LA-22
Urei LA-3A (2) (Studio Electronic rebuild)
Valley People Dyna-Mite

Effects

Ampex 440 4-track tape delay w VSO
AMS DMX 15-80S (Studio Electronics rebuild)
Bricasti M7 reverb
Dolby 301A
EMT 140 tube plate reverb w/ remote (tuned and rebuilt by Steve Villeaux)
Eventide 949 harmonizer (Kevin Siegenthaler rebuild)
Ibanez AD202 analog delay
Ibanez UE405 multi-effect
Lexicon PCM41 (2) delay
Lexicon Prime Time M93
Lexicon 200 stereo reverb
Standard Audio Level-Or

Amps

Ampeg Gemini One (Skip Simmons)
Ampeg V4B (Skip Simmons)
Bryce AC4
Dietz 115 1×15 cab
Epiphone Galaxie (Skip Simmons)
Fender Champ (Skip Simmons)
Fender Deluxe Reverb
Jensen trapezoidal 2×12 guitar/bass cab (w/ ceramic 50W Jensens 12s)
Masco 25N guitar head (Skip Simmons)
Masco “Audiosphere 8” (Skip Simmons rebuild)
Masco MA-17n (Skip Simmons rebuild)
Mesa Boogie Walkabout bass head
Matchless DC-30
National 1×8 combo
Nerd 15 (hand-wired Vox AC15 clone)
PolyTone 1×12 closed-back
Sears Silvertone 1482 combo (Skip Simmons)
Univox guitar amp (Skip Simmons)

Guitars

Nash ’52 Tele electric guitar
Epiphone Texan (1964)
Gibson SG (1967) electric
Gibson ES125 (1950) electric hollowbody
G&L L-1000 bass (1980)
Kay Hollowbody acoustic guitar (1952)
Nash ’52 Tele electric guitar
Nash ’59 Jazz bass
Ventura Nylon acoustic guitar

Effects

tons of pedals: Klon, Pigtronix, Earthquaker, Skip custom tube distortion, SansAmp, all EarthQuaker Devices, etc.

Keyboards

ARP Odyssey
ARP 2600 (rebuilt by CMS)
ARP Solina String Ensemble
Farfisa VIP600 w/ volume pedal
Farfisa Compact Duo w/ volume pedal
Hammond A100 w/ Leslie 147 (+reverb) (rebuilt by LA Jones)
Korg/Univox SR-95 Mini Pops 7
Lyon and Healy upright piano (restored by Steve Benjamins) (1929)
Moog IIIc (1969) (restored by This Old Synth)
Moog Minimoog (1972)
Moog Prodigy
Moog Source
Rhodes 73 (Cunitz rebuild)
RMI Lark console organ (1967)
Sequential Circuits Prophet 10
Vox Continental
Wurlitzer 200A (Cunitz rebuild)
Yamaha C7 grand piano (1975)
Yamaha CS-50 poly synth

Drums

Ayotte Wood Hoop Custom (1992)
– Kick 22×18
– Rack 10×8, 12×10
– Floor 14×14

C&C Custom Drums
– Kick 22×14, mahogany 24×14
– Rack 12×8
– Floor 16×15

Rogers “Holiday Swingtime” (1965)
– Kick 20×14
– Rack 12×8
– Floor 16×16

Snares
– C&C Custom Drums black nickel over brass “Black Beauty” style 5×14
– C&C Copper shell 6.5×14
– Ludwig LM402 400 Series Supraphonic 6.5×14
– Ludwig “Jazz Festival” (1965) 5.5×14
– Slingerland Radio King 5×14